Reviewed by Liz Maher exclusively for Stupefaction - thanks Liz!:
WTF? That was the reaction of the audience of Jack White fans as they sat in disbelief when after 50 minutes, White left the stage and refused to come out for an encore.
The audience, who paid a steep price for tickets, either from White's Third Man site or Ticketmaster or even higher from Stubhub or other resale sites, clearly expected more than 50-minutes of White. After an explosive opening, White chided the audience for not applauding loud enough, comparing them to people at an NPR convention. Since the crowd was cheering loudly, this was a little odd.
White then played mostly tunes from Blunderbuss with a White Stripe, Dead Weather and Raconteurs song thrown in.
The show was going along pretty good, except when White would talk in a Bob Dylan voice and even sang the beginning of Top Yourself Dylan-esque. At one point, he mentioned he loved NYC and then sarcastically referred to "the 10% of the audience who were cheering so loud he couldn't hear himself think." Again, strange since mostly everyone was cheering, clapping and into it. After covering, Love Interruption, to the crowd's applause, White asked the crowd, with some annoyance in his voice, if he should do the rest of the show in all acoustics. That would have been fine as with him playing, it's bound to be great. White went onto play I Guess I Should Go To Sleep and Hypocritical Kiss and Take Me With You When You Go on piano and guitar. Follow-up by Ball & Biscuit, after which White left the stage not to be seen again. Wide disbelief through the hall. Cheering and booing (certainly) didn't work. After 25 minutes the ushers came around and asked everyone to clear the arena.
At the concession stand, people were simultaneously returning and purchasing White merchandise.
So why did White cut the performance so short? Surely it couldn't have been the quality of the sound, since all those things get worked out ahead of time and White agreed and accepted compensation to perform a show there. And why then stiff a loyal fan base that had to endure a sound he himself wasn't pleased with but put up with out of love and respect for him? Was it the cell-phone people? He hates them but did not refer to them. Radio City staff did ask a women from the audience with a cell-phone to go with them. Was it the faux-redheaded band photographer who also rubbed the audience the wrong way? Hhhhmmm...
As a White fan, I feel puzzled and short-changed. Encores are part of the whole concert experience and actually create some superficial feeling of intimacy between fan and performer. I could live without encores, though, if the show itself was a respectable length. Robert Smith once reminisced that before he got big with the Banshees and Cure, he was a big Rolling Stones fan and was terribly disappointed after he saved up to pay Stones' high ticket price and traveled very far to see them perform, only for them to play a barely 30 minute show. He vowed never to do same to his fans.
Unless White suddenly became ill or had a family emergency, it was a diva stunt. Or ill-conceived marketing stunt? Or somehow S&M fan punishment, stemming from a repressive upbringing as a Catholic in bleak Detroit.
But, then again, he's a genius so we are supposed to accept these types of things. On the plus side, I hope this make his tickets easier to get and cheaper.
White will be back Sunday to disappoint and piss-off fans once again.
Showing posts with label White Stripes. Show all posts
Showing posts with label White Stripes. Show all posts
Sep 30, 2012
May 25, 2012
On the scene: Jack White live at Roseland
Contribution from Liz Maher:

After years of sharing the spotlight with Meg White in The White Stripes, Allison Mosshart in The Dead Weather, and trying to blend in with lesser axe men, in the Raconteurs, Jack White is a solo act. Well, not exactly, this solo act comes with 2 bands for a total on-stage support team of around 14. Queasy thoughts of musical theatre come to mind. Having grown up the youngest of 10, White must feel right at home on a crowded stage. White is still keeping people confused and distracted, wondering which song is about x-Meg, xx-Karen Elson or y-Allison. Karen’s ever present backing vocals on tracks about women who abused White makes things even weirder in an MTV personalities trump music way. Blunderbuss is a bit of soap opera – the tracks Hypocritical Kiss and Love Interruption are angst-ridden telenovella episodes --but it’s a soap that mostly rocks in drop E tuning which surpasses the drama. It is clear White can play solo – as long as he is not alone. (Continued after the jump.)
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