Showing posts with label Subway Sect. Show all posts
Showing posts with label Subway Sect. Show all posts

Oct 23, 2013

Shot by: Jonh Ingham

5 November, 1976, RCA London. Subway Sect in full flight.
The stunning shot above of the Subway Sect was taken by long time Sounds journalist, Jonh Ingham, 37 years ago. Jonh tells us he'll be publishing a book next year entitled 1976: London Punk Eyewitness. If this photo is anything to go by it ought to be quite a book! Article's by Jonh can be found at Rock's Back Pages, he tweets here, and occasionally blogs here.

I'm not sure if the Clash photos below will be used in his book, but he also shared them - The Clash at their fifth ever gig on Oct. 9, 1976. The photos were taken by Harald Inhulsen, President of the German Iggy Pop Fan Club. Jonh provided the short story to go along them as he was at the gig.


The Clash at Tiddenfoot Leisure Centre, Leyton Buzzard, Oct 9, 1976. This was their fifth gig. From memory the stage had carpet on it, which ran up the wall and both Mick and Joe took runs up it while playing. In the wide shot Sebastian Conran is on the far right.

They finished their set in 30 minutes because all the songs were about 2 minutes long; the promoter went mental because they were hired for an hour set. Joe came running over to me asking what they should do...as if being a seasoned music writer meant I had the answers! I told him to play the set again and throw in some oldies if they knew any. They played "White Riot" and 3 or 4 more and the promoter seemed placated. I ran into ZigZag editor Pete Frame and Kris Needs in the lobby. Pete had the stunned look I was getting used to seeing on 'first-timers' and started putting them down. "What's the matter grandad? Too old for some rock and roll?", I replied. He told me some months later that he took the words to heart and decided to resign from ZigZag - which made me feel terrible because he was such a great presence. But he turned it over to Kris so it was still in safe hands.

Nov 27, 2012

Stupefied: The Vic Godard Playlist

Vic Godard by Julian Baker (2009)

This week I'm very happy to bring you the Stupefied playlist from Mr. Vic Godard. Never one to follow trends, Vic was already on to the post punk style while taking part in the initial punk rock explosion in London during the mid 70's. In the 80's he moved on to lounge, and then northern soul. Vic knows good. Vic knows tunes. Vic knows good tunes. Starting Thursday, he'll be on tour across the UK on the Vic.ism tour (dates here) with The Sexual Objects and special guests.



01. Louis Armstrong - Cabaret
02. Robin Sarstedt - My Resistance is Low 
03. Tennessee Ernie Ford - Sixteen Tons
04. Frank Sinatra - New New York
05. Frank Wilson - Do I Love You?
06. Jonathan Richman and the Modern Lovers - Roadrunner
07. Johnny Thunders - Born To Lose
08. Peter Skellern - Hold On To Love
09. Gary Shearston - I Get a Kick Out of You
10. Barry White - Let The Music Play
11. Junior Walker and the All Stars - What Does It Take [To Win Your Love]
12. Astrud Gilberto - Meditation
13. The Delfonics - Delfonics Theme 
14. The Kingsmen - Louie Louie
15. The Four Seasons - Beggin' 
16. Mates Mates - Residencia Nuclear
17. The Sexual Objects - Merrie England
18. Chuck Berry - Liverpool Drive
19. James Brown - Popcorn
20. Wreckx-n-Effect - Rump Shaker 

Apr 6, 2012

Friday Ephemera - Subway Sect promo handbill, 1978


"A rare document from one of British Punk’s most hermetic groups – but one whose stature has grown and grown in the intervening four decades. This was a promotional handbill, printed both sides on thick paper, issued out of Rehearsal Rehearsals, Bernard Rhodes’ HQ – probably in early 1978, to coincide with the first Sect single (and the only one on Rhodes’ Braik Records), "Nobody’s Scared / Don’t Split It." Continue reading about this beautiful & rare piece of ephemera over at Jon Savage's site. He doesn't post often, but when he does, its worth spending some time there.


Keep up with Vic Godard's current activities at his website. Buy some music from him...he'll mail it to you himself!

Nov 7, 2011

Daisy's Letter From London, Nov. 7, 2011

Dear Mr Boogaloo -


Have you managed to get all your make up off from last week? No? Me neither.

Here's the story from my pumpkin patch - wonders The Great Pumpkin delivered to us here in the UK:

Hey! I know I mentioned Rough Trade in my last letter – but you might like to know there’s a documentary called The Story Of Rough Trade – you can watch it here. I love Geoff Travis. Hair and No Hair. I like his “let’s try it” attitude. I didn’t realize what a scary time he’s had.

Did you know that the idea behind dressing up on Halloween is that because Departed Spirits come out of their tombs on the 31st October and walk around looking for people to take back to the underworld with them that if you dress up and disguise yourself, they won't be able to figure out it's you and you will remain on earth? And they especially won't grab you if you look like you are a Departed Spirit yourself.

We went to Nambucca on the Holloway Road. They put on a show to channel the spirit of our Dear Departed JOHN PEEL (the 25th of October was JOHN PEEL DAY).

The line up:
14 ICED BEARS (ethereal. very late night radio friendly)
TELEVISION PERSONALITIES
VIV ALBERTINE (The Slits)
VIC GODARD AND THE SUBWAY SECT
followed by Blindness.

Blindness is a local up and coming talented girl band.
I think that’s a clever name. Don’t you?

What we got was an exciting blood pumping night. I swear if I had turned round, I would have being saying hello to John Peel. Wait! Look!


No, no...Not John Peel. Is this Lee McFadden from Television Personalities? (they had that single "Where's Bill Grundy Now"?). I understand Dan Treacy was off sick. Please God let him get well. (Rumour has it Dan might have something to do with Arctic Monkeys - ?)

Enjoy a song from the TVP’s set here. (Lee played with my hero, Mark Perry in Alternative Television. Watching Lee, I think he should visit the States and play with Tom Verlaine. I bet they would get a kick out of each other.)

So here's the poster:

JOHN PEEL DAY 7 years since his death. We loved him. We still love him.

This is Spizz (who was signed to Rough Trade back in the day). Tonight he was Our Hero in this fabulous homemade hero outfit.


Do not be confused. This is not a halloween outfit. He wears this to all the gigs he goes too. It's very practical. He is a biker. I saw him tie his bike up to a lamppost outside earlier. Nice bike.

First Damsel Of Distress comes to stage: Viv Albertine. Here is Spizz coming to her aid as he (a) noticed she wasn't plugged in (b) and needed help tuning up:

The clip that follows is our shimmering Viv Albertine. The gang around me liked the way she looked but found Viv’s lyrics "difficult to listen too". I found it quite the opposite. Her anger was an energy. I gave the little gang a bit of a lecture along the lines of if they want peace and joy, you're here on the wrong day. I quoted Professor of Punk Viv Goldman - "You are listening to Sassitude" I told them. “This is a Real Life she's singing about. We’re hearing a woman channeling pain. Being real. Expressing her inner life not putting on a mask and humming sweet fuck-alls.” I didn’t spit.

To review: I particularly liked her last song "Home Sweet Home". The song “Needles” needed no explanation – but the effect: it was like she just transferred the song’s meaning into you or like she put her eyes on you, and put herself into his skin for a moment - then pointed to The End. It was great. She sang an incredibly cleverly slam poetry song called "I WANT MORE" – Well everything, really, everything she sang had me grinding my teeth; clenching or wanting to pump my fists, shaking my head - wait - not in a hippie way. Viv can handle being on stage on her own. I tell you – she makes living look valuable.


The song is FairyTale but during the lead in she is talking about Keith Levine who gave her some guitar tips. She says "I don't mind my voice being out of tune but I do care about my guitar. Not punk I know..." No Encore. That’s Punk.

We see Edwyn Collins & Graham Coxon present.

Furthering the theme of Glamourous Roadies - some bloke in a Royal Mail shirt comes on and organizes some bits and pieces.

Then a drummer we recognize as PAUL COOK from The Sex Pistols takes a seat. Paul Myers arrives with his own roadie (wearing crash helmet and goggles) and on keyboards – Kevin Younger. The Royal Mail Roadie then reappears in a suave beige jacket you might wear on a golf course with plus fours, some navy slacks (Royal Mail?) and a white shirt and tie and beautiful pale wood guitar. It is himself. It is Vic Godard.

Can we say hell of a set? Can we tell you they smoked? Can we tell you what a JOY it flipping is to hear Paul Cook on drums, on the beat, standing for no nonsense, getting the show on the road – we haven’t got time to hang around. The reggae Rhododendrun Town could have been my favourite. The moment when guitarist Mark Braby plugged in and – huh? nothing? and Vic presented his own guitar for the rest of the set so the show could go on... I don’t know – bits like that. You were hearing a wall of wonderful sound. You were hearing a rolling, well oiled, well rehearsed, poet in motion. Did they have Phil Spector’s phone number in Prison? I think so. Is Vic Godard related to Leonard Cohen in any way? I wonder. That deep soulfulness that you felt in Cohen at Glastonbury –, with a glint in his eye and that mournful, wailing spirit. I felt happiness. I felt warmth. I felt great. No Encore of course and I just felt myself flying through the air, stage diving for the set list (nobody got hurt and Gary confirmed nobody saw up my skirt).

Meanwhile, Gary's like, “Oh great, there's the drum roadie.” He says, "Are you going to throw away that set list with Paul Cook's name on it?"
Drum tech: Do you wannit?
Gary: Cheers mate.

Signed by Vic


Outside afterwards we give my set list to two lads who motored down from Leeds (Wayne looked a bit like a young Paul Cook) and we even get them signed by Vic Godard. I even got Gary to take a photo of me with Mr. Godard who, now I look at the photo, was wearing that Royal Mail work shirt again.


And I have to tell you, we grinned our faces off all night. I know. Not very punk.

Scratch you next week,
xxxxdaisy

Dec 9, 2010

Stupefaction Top 12 for 2010



This is never easy for me, but at least I got this together ahead of time year. And in case you're thinking "who gives a crap?", don't worry...I'm under no delusions about anyone wondering what I loved this year (and if you visit regularly you'll know), but I like running it here as a matter of record. In no particular order, and with no further ado:


01. Sharon Jones & the Dap-Kings - I Learned The Hard Way (Daptone) (CD, MP3, vinyl)


02. Vic Godard & Subway Sect - We Come As Aliens (Overground) (CD & MP3. Limited edition vinyl available directly from the band)


03. Vic Godard & Irvine Welsh - Blackpool EP (Gnu) (CD-only available directly from the band)


04. Orange Juice - Coals To Newcastle (Domino) (CD & MP3)


05. Edwyn Collins - Losing Sleep (Heavenly) (CD, MP3, vinyl)


06. Paolo Conte - Nelson (Universal) (CD, MP3)


07. Patti Smith - Just Kids (Ecco Publishing) (Book)


08. Sexual Objects - Cucumber (Creeping Bent) (MP3. Limited edition vinyl available here.)


09. Harvest Ministers - Strange Love Letter (Crayon Records) (MP3, CD. CD available to order here)


10. Spoon - Transference (Merge) (CD, MP3, vinyl)


11. The Preservation Hall Jazz Band feat. Tom Waits - Tootie Ma Was A Big Fine Thing b/w Corrine Died On The Battlefield - very limited edition 78 RPM record (Preservation Hall) (also available on Preservation: An Album To Benefit Preservation Hall (CD, MP3)


12. Christian Scott - Yesterday You Said Tomorrow (Concord) (CD, MP3)

From my Last.FM stats - Top 15 listened-to artists, 2010:
01. Tom Waits
02. Willie Mitchell
03. Paolo Conte
04. The Harvest Ministers
05. Lambert, Hendricks & Ross
06. Sufjan Stevens
07. Borscht
08. Sidney Bechet
09. Echo & The Bunnymen
10. Big Star
11. Spoon
12. Sharon Jones and the Dap-Kings
13. John Lurie
14. Vic Godard & The Subway Sect
15. Roddy Frame

Oct 3, 2010

Subway Sect - We Come As Aliens - new album + download



October 11 will see the release of a new album, We Come As Aliens, from Vic Godard & the Subway Sect. As I await my signed copy in the mail, Vic was kind enough to let me give away an MP3. Have a listen (and download if you'd like) to "Out of Our Zone" below while reading Vic's comments on the new album and his current line-up. There's also a video which serves as a preview of several tracks from the LP, and it sounds really great - fans will not be disappointed. If you're in London there will be a launch gig on October 14 at St. Aloysius Social (NW1) - see the flyer at the bottom of the post.

Vic Godard and Subway Sect - WE COME AS ALIENS
RELEASE DATE 11TH October 2010
CD on Overground Records (UK)

100 signed copies available pre-release
Limited Edition Vinyl on GNU Inc.
For further info contact: myspace.com/vicgodard or facebook.com/vicgodard

Subway Sect - Out of Our Zone from We Come As Aliens:


The SUBWAY SECT are:
Vic Godard - Vocals/Guitar
Mark Braby (The Orchestra Pit) - Bass/Acoustic Guitar
Kevin Younger (Armitage Shanks) - Guitar/Piano/Organ
Gary Ainge (ex-Felt/Gokart Mozart) - Drums/Percussion
Paul Cook (Man Raze, Edwyn Collins, Sex Pistols) - Drums/Percussion
Simon Rivers (Bitter Springs) - Backing Vocals

Rebellion Festival Blackpool
– the Sect enter the Winter Gardens and the title ‘We Come as Aliens’ is born. The songs from the album have been evolving since the mid 1990’s, with the exception of Francoise Hardy’s Et Meme, which I have wanted to record since ’77. Some of the tracks have been included in live sets over the years with the various Sects, the oldest being Ne’er which I used to do when Bitter Springs were masquerading as Subway Sect. Takeover, Best Album, Et Meme and That Train have been part of the live set for a while now.

A couple of years ago I recorded a demo of Et Meme and That Train with the Wet Dog Sect. Nothing came of it because the line up changed a couple of times, but once I had Mark, Kev and Gary on board I knew I had the group to record. In 2009 we agreed a vinyl deal and started recording at One Cat Studios. Disaster struck 5 tracks in when Gary’s back went, but then a stroke of luck - Paul Cook was available and willing to finish the album with us, for which I am very grateful. We haven’t listed which tracks Gary and Paul play on as their styles are so distinctive, which is part of what gives this album its unique sound.

Album preview:


About the music - Our sound on this album is based around the beats of Gary Ainge, who loves Northern Soul and 70s music, and Paul Cook, the inimitable West London drummer, whose instantly recognisable style defines the tracks he plays on. Mark Braby, our multi-talented bass and acoustic guitar player brings a wide range of musical influences and talents to the mix. He is currently our live drummer. You can hear that Kevin Younger, who plays guitar, organ and piano, is mad on garage music especially of the sixties variety, (he is also adept at playing obscure theme tunes when least expected). Simon Rivers adds another dimension to the tracks he appears on with his distinctive vocal sound. He also conjured up a superb guitar solo on Back in the Community.

Since’ 76 the Sect has been committed to set discords and melodies to beats, so I am sure it has been a lot of work for all those concerned. We would not have the ‘Best Album’ that we set out to make were it not for Jon Clayton of One Cat Studios, who not only recorded, mixed and helped produce We Come as Aliens but also played percussion and keyboard on a few tracks. The songs are a cross section of material we have been working on at Survival Studios over the last two years, in between rehearsing for gigs. Musical influences come thick and fast - Rotten and Thunders, Chuck and Bo, Ray Charles and Mose Allison, while lyrically this must be the best Subway Sect collection yet.

The ‘We Come as Aliens’ Tour kicks off with a couple of dates at Q-Tres in Barcelona 7th/8th October, and then off to Vic on 9th. Then the WCAA launch event at the St Aloysius Social Club London on 14th, then Compilotheque, Brussels 21, The John Peel Festival Koln on 23rd, then Munster, Berlin, Hamburg, and Hanover 4-7 November, 8 December Idle Fret @ the silver Bullet London, 18th The Railway Southend,, 8 January The Thunderbolt, Bristol and then off to Spain for the Tanned Tin Festival. More dates to come.

May 2, 2010

Vic Godard's northern soul

One of my favorite bloggers, Kevin, is the man behind the London Nobody Sings, and Anywhere Else But Here Today - a busy boy, indeed, with an insane knowledge of music. His initial project, Your Heart Out, was a free zine he wrote monthly and distributed free on the web, for about a year, before starting the Your Heart Out blog (YHO issues are still available there). Some of you more regular Stupefaction readers may remember my posting about it when new issues were available.

Anyway, the Your Heart Out blog has been somewhat quiet as of late, but yesterday Kev posted something special - a bootleg recording of Vic Godard's Subway Sect opening for Siouxsie & the Banshees in 1980 at the Music Machine in London. By the time they played this show, Vic had all but abandoned the punk/Velvet Underground roots of the original Sect and had adopted a more sophisticated approach - bringing in touches of lounge, and especially northern soul. At once, they were contemporaries of, and an influence on, bands like Orange Juice.

Vic Godard has long been one of my favorites, and he should be one of yours too. Download a copy of this 1980 show, as well as a special, new, printable issue of Your Heart Out, right here. It even comes with Vic Godard's permission and blessing. Can't beat that.


Recent Vic portrait courtesy of Julian Baker
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