Dec 31, 2011
Endless Art 2011: The Stupefaction obituary round up
Don Mueller
Sam Rivers
Sean Bonniwell
John Chamberlain
Vaclav Havel
Bob Brookmeyer
Cesaria Evora
Dobie Gray
Hubert Sumlin
Howard Tate
Ken Russell
Barry Llewellyn
Shelagh Delaney
Ross MacManus
Andrea True
Laura Kennedy
Jackie Leven
Joe Frazier
Bob Forsch
James Van Doren
Andy Rooney
Matty Alou
Jimmy Savile
Barry Feinstein
Dan Wheldon
Roger Williams
Al Davis
Steve Jobs
Bert Jansch
Marv Tarplin
Bob Arihood
Robert Whitaker
Leonard Dillon
Sylvia Robinson
Richard Hamilton
Wardell Quezergue
David Honeyboy Edwards
Mike Flanagan
Nick Ashford
Jerry Leiber
Marshall Grant
Bubba Smith
Gene McDaniels
Skip Thomas
Frank Foster
Amy Winehouse
Lucien Freud
Joe Lee Wilson
Alex Steinweiss
Jerry Ragavoy
Rob Grill
Würzel
John Mackey
Dick Williams
Cy Twombley
Jane Scott
Ruth Roberts
Peter Falk
Eric Swenson
Clarence Clemons
Wild Man Fischer
Paul Splittorff
Carl Gardner
Jim Northrup
Benny Spellman
Martin Rushent
Ray Bryant
Andy Dunkley
Gil Scott Heron
Harmon Killebrew
Lloyd Knibb
Cornell Dupree
Bill Gallo
John Walker
Jackie Cooper
Poly Styrene
Richard Kulwicki
George Shearing
Kenneth Mars
Chuck Tanner
Gary Moore
Pinetop Perkins
Owsley Stanley
Tura Satana
John Barry
Charlie Callas
Gladys Horton
Charlie Louvin
Don Kirshner
Trish Keenan
Ellen Stewart
Cookie Gilchrist
Bobby Robinson
Gerry Rafferty
Mick Karn
Janine Pommy Vega
Pete Postlethwaite
Dec 30, 2011
Dec 29, 2011
Laura Kennedy memorial - Bowery Electric 12.28.11
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| Laura Kennedy RIP |
Overall, a beautiful tribute to someone who meant a whole lot to all whom she met, and then some! Read a nice review by Weasel Walter here.
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| Bush Tetras |
The Rolling Stones "I Got You Babe" on Ready Steady Go
I can't remember if I've ever posted this one before, but Godlis pointed it out last night, so here it is...possibly again: The Rolling Stones having some fun with Cathy McGowan, and Sonny & Cher's hit song, "I Got You Babe."
Shot By: Godlis, Bush Tetras at Bowery Electric 12.28.11
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| Cynthia Sley |
All images ©Godlis - visit Godlis.com for more information. Thanks DG!
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| Pat Place |
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| Bush Tetras |
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| Dee Pop |
Dec 28, 2011
Dec 27, 2011
Before and After: Riffs, Pt. 29
Memphis Minnie & Kansas Joe - Can I Do It For You (1930)
Ed & Lonnie Young - Chevrolet (1960)
Donovan - Hey Gyp (Dig The Slowness) (1965)
The Animals - Hey Gyp (1967)
The Soul Survivors - Hey Gyp (1967)
Keith Shields - Hey Gyp (Dig The Slowness) (1967)
Mance Lipscomb - I Want To Do Something For You (1967)
Taj Mahal - Chevrolet (1971)
Foghat - Chevrolet (1978)
Ed & Lonnie Young - Chevrolet (1960)
Donovan - Hey Gyp (Dig The Slowness) (1965)
The Animals - Hey Gyp (1967)
The Soul Survivors - Hey Gyp (1967)
Keith Shields - Hey Gyp (Dig The Slowness) (1967)
Mance Lipscomb - I Want To Do Something For You (1967)
Taj Mahal - Chevrolet (1971)
Foghat - Chevrolet (1978)
Too Many Creeps at the Peppermint Lounge 1980

In honor of Laura Kennedy of the Bush Tetras (memorial service tomorrow night), here is a recently unearthed live video of the band performing the classic "Too Many Creeps" at the 45th Street location of the Peppermint Lounge in 1980. Prime! Thanks to NYC club video guy, DCortex, for posting it!
Dec 26, 2011
Dec 25, 2011
NYNS - The Junky's Christmas by William Burroughs

A little claymation is always nice on a holiday: Be grateful...this could be you. It originally appeared in 1993, and was produced by Francis Ford Coppola. It's available on DVD
Movie of the Week - Forbidden Zone
Forbidden Zone is a 1982 musical comedy film based upon the stage performances of the Mystic Knights of the Oingo Boingo. The film stars Hervé Villechaize, Susan Tyrrell and members of the Mystic Knights of the Oingo Boingo, and features appearances by Warhol Superstar Viva, Joe Spinell and The Kipper Kids. Originally shot on black-and-white film, the story of Forbidden Zone involves an alternate universe accessed through a door in the house of the Hercules family. Directed by Richard Elfman, who co-wrote the film with fellow Mystic Knights member Matthew Bright, it was the first film scored by his brother Danny Elfman. The film was completed in twenty one days over a period of ten months with minimum production costs and Villechaize being the only actor paid for the film.
Forbidden Zone was made as an attempt to capture the essence of The Mystic Knights of the Oingo Boingo's live performances on film, and also as a means for both Richard Elfman to retire from music to work on film projects, and to serve as a transition between Oingo Boingo's former cabaret style and a New Wave-based style. Amid negative reactions to content in the film that had been perceived as being offensive, the film was screened as a midnight movie, received positive notice, and developed a cult following. In 2004, the film was digitally restored, and in 2008, the film was colorized.
Forbidden Zone was made as an attempt to capture the essence of The Mystic Knights of the Oingo Boingo's live performances on film, and also as a means for both Richard Elfman to retire from music to work on film projects, and to serve as a transition between Oingo Boingo's former cabaret style and a New Wave-based style. Amid negative reactions to content in the film that had been perceived as being offensive, the film was screened as a midnight movie, received positive notice, and developed a cult following. In 2004, the film was digitally restored, and in 2008, the film was colorized.
Enter the Forbidden Zone if you dare!
Dec 24, 2011
Laura Kennedy Memorial next week
As mentioned about a month ago, the NYC memorial for the Bush Tetras' Laura Kennedy will take place this coming Wednesday, 12/28, at Bowery Electric. The Bush Tetras will headline with Band of Outsiders, Radio I-Ching, Jean Caffeine and Lenny Kaye, amongst others, making appearances.
The Bowery Electric
327 Bowery (between 2nd and 3rd Sts)
Wednesday 12/28 at 7:00PM
(212) 228-0228
theboweryelectric.com
Dec 23, 2011
NYNS - Fairytale of New York
Thanks to Mr. Lee for posting this great version of this Pogues
Dec 22, 2011
Kyle's Cassettes: Skip Spence - Oar
Alexander “Skip” Spence
Oar
1969 Columbia
Usually when most folks start nearing the end of their twenties they start saying things like, “Oh, I would never take acid again. Maybe some mushrooms, but I just don’t think I could handle acid anymore.” And they’re probably right, their fragile psyches would crumble into a million shattered splinters on a healthy hit of clean window pane. It sucks that most people are a bunch of pussies, but then again what are you gonna do?
At any rate, what this kind of conversation begs to question is what exactly would happen if you did just keep on dropping tabs like it weren’t no big deal? Answer: Oar. This is the biggest, baddest, axe-murdering, double-barreled daddy of lost American classics.
A little back story: In 1968 Alexander Skip Spence disappeared into the New York City night with a black witch that filled his head up with an economy sized dose of high grade LSD. Subsequently he tried to kill one of his band mates and then got the padded cell treatment for six months in Bellvue. Upon his release from the hospital he rode his motorcycle down to Nashville in his pajamas and recorded this way-the-far-fuck-out piece of Americana. More than anything this album is about someone humping out past any sort of acceptable boundaries with no promise of return. This shit is no joke. And it sounds amazing too, all haggle toothed and grizzled, slightly panicked, but riding it out all the same.
Spence had founded the Moby Grape and had been in the Jefferson Airplane, but he never really put out anything after Oar. He died of lung cancer in 1999. At the time he was living in a trailer in Northern California all strung out on coke and heroin. Most people probably think this guy was a total loser, but I say definitely not. Most people work their nuts off so that their children will grow up to hate them and they can live in some retirement community on a golf course. Spence may not have been lunching on the back nine, but this dude did more than most fools even talk about doing. This is what paying the price sounds like. Forget about it.
Visit Kyle at Trustzine.
Oar
1969 Columbia
Usually when most folks start nearing the end of their twenties they start saying things like, “Oh, I would never take acid again. Maybe some mushrooms, but I just don’t think I could handle acid anymore.” And they’re probably right, their fragile psyches would crumble into a million shattered splinters on a healthy hit of clean window pane. It sucks that most people are a bunch of pussies, but then again what are you gonna do?
At any rate, what this kind of conversation begs to question is what exactly would happen if you did just keep on dropping tabs like it weren’t no big deal? Answer: Oar. This is the biggest, baddest, axe-murdering, double-barreled daddy of lost American classics.
A little back story: In 1968 Alexander Skip Spence disappeared into the New York City night with a black witch that filled his head up with an economy sized dose of high grade LSD. Subsequently he tried to kill one of his band mates and then got the padded cell treatment for six months in Bellvue. Upon his release from the hospital he rode his motorcycle down to Nashville in his pajamas and recorded this way-the-far-fuck-out piece of Americana. More than anything this album is about someone humping out past any sort of acceptable boundaries with no promise of return. This shit is no joke. And it sounds amazing too, all haggle toothed and grizzled, slightly panicked, but riding it out all the same.
Spence had founded the Moby Grape and had been in the Jefferson Airplane, but he never really put out anything after Oar. He died of lung cancer in 1999. At the time he was living in a trailer in Northern California all strung out on coke and heroin. Most people probably think this guy was a total loser, but I say definitely not. Most people work their nuts off so that their children will grow up to hate them and they can live in some retirement community on a golf course. Spence may not have been lunching on the back nine, but this dude did more than most fools even talk about doing. This is what paying the price sounds like. Forget about it.
Visit Kyle at Trustzine.
Pulsallama appreciation
Pulsallama, who we've featured here quite a few times in the past, get a nice look-see over at Dangerous Minds today. Have a look.
NYNS - These are the good old days
Anyone somewhat familiar with Broadway Theater will know the name of famed choreographer Tommy Tune
Dec 21, 2011
NYNS - Christmas At CBGB
From the Baghdaddios
Dec 20, 2011
This One Goes Up To 11 (For '11)
1. The Vinyl District Record Store Locator app (The Vinyl District/Shoutem)

2. Tom Waits - Bad As Me (Anti)
3. Brian Olive - Two of Everything (Alive)
NYNS - Christmas Night In Harlem

Mr. Louis Armstrong
Dec 19, 2011
NYNS - Christmas In Hollis

Originally posted at The New York Nobody Sings: Merry Christmas everyone...over the next few days I'll be posting some NY-specific holiday music for everyone to enjoy. We'll start with this 1987 gem from Queens' own Run DMC
Dec 18, 2011
The TVD RSL #tvdrsl
I've spent a good chunk of the weekend updating the new TVD RSL (has a nice ring to it, no?) with stores that were missing, or we didn't have in the first place. This includes many indie shops in the UK. So if you're located there please grab the app & give it a go.
And folks, please don't hesitate to let me know if there's anything missing, or whatever...all comments are gladly accepted!
The TVD RSL for iPhone - here
The TVD RSL for Android - here
The TVD RSL Facebook page - here
Thanks to everyone who has tweeted, facebooked, and written about the app so far. Its been amazing, and we're just getting started.
Happy holidays!
#tvdrsl
And folks, please don't hesitate to let me know if there's anything missing, or whatever...all comments are gladly accepted!
The TVD RSL for iPhone - here
The TVD RSL for Android - here
The TVD RSL Facebook page - here
Thanks to everyone who has tweeted, facebooked, and written about the app so far. Its been amazing, and we're just getting started.
Happy holidays!
#tvdrsl
Dec 17, 2011
D-E-V-O 1978
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| Live performance Devo video photo via |
If I could have, I would have described my 12 year old feelings to my friend the same way Marc does over at DM: "...as if aliens from another planet had created a concept of Earthlings based on old television transmissions they’d hijacked of industrial training films, Triumph Of The Will, episodes of Hullabaloo and Saturday morning cartoons and then spewed it all back at us in a digitized replication missing a few ones and zeros."
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