Before - Carly Simon (1972)
After - Tony Randall & Jack Klugman (1973)
| Photo by Philippe Gras |

Available in September from See of Sound is this wonderful film of Leonard Cohen performing in 1972. Also, of interest is this blog by film maker Tony Palmer (pictured left) detailing his restoration of the film in preparation for the DVD release, and debunking myth's at the same time.
In 1972, the MC5 had three songs used on a soundtrack for a long forgotten film entitled Gold. It turns out that this film will be getting the reissue treatment
Lets connect some dots, shall we? With the recent reissue of the Stones' Exile On Main Street, and the release of the Exile documentary, there's been a lot of talk about the album, the "new" tracks, the musicians...everything except the artwork. For me, the artwork has always been fascinating, and added hugely to my perception of it, and the Stones themselves, for a long time. In case anyone else is interested, I wanted to point the way to a few articles & links that discuss & display the art for this landmark album. After all, designer John Van Hamersveld used previously published work by legendary artists in their own right - photographers Diane Arbus and Robert Frank (the director of Cocksucker Blues). The images above & below are courtesy of Van Hamersveld's site. I definitely recommend a visit.
On a personal note, Godlis discusses his take on the album, Diane Arbus, Robert Frank, and the beginning of his own serious journey into photography: "With the Stones re-release of Exile on Main Street this week, I've found myself thinking about how closely tied in this album is with my own relationship to the medium of photography. In the summer of 1971, the Rolling Stones were down in the south of France, recording the basic tracks for Exile. That same summer - on July 26,1971 - Diane Arbus took her own life in her apartment at Westbeth in New York City. Within months of her tragic death - "late fall of 1971" - plans were already underway for a book and a retrospective show at the Museum of Modern Art. This according to Neil Selkirk, who personally made all the prints for the exhibition at Diane Arbus' own darkroom on 29 Charles Street in the West Village (His fascinating essay that is the centerpiece in the "Diane Arbus Revelations" catalog is must reading)." Continued here.