
Apparently Gia dug vinyl. She also happened to dig chicks. Photo by Arthur Elgort. Via.

In honor of some recently announced reunion dates, here's a couple of goodies from one of the sharper 60's UK mod bands that doesn't get much play in the US, the Birds. This is where Ron Wood got his start, but he will not be appearing with them, I'm sure. If you're a fan of the mod sounds, but haven't dug any deeper than say, the Creation or even the Who or Jam, I'd suggest starting with these guys, and also Les Fleur de Lys, and the Attack. Official Birds website here.





UPDATE: Mark Stewart has confirmed this story. We will stay tuned for further details.

My buddy, Robbie Dupree, played the Jimmy Fallon show last night and sounded great. I'm proud to know him. After watching "Steal Away" below, click over to the Fallon show website for a web exclusive of Robbie performing "Lucky" from his latest album, Time & Tide.
Lets connect some dots, shall we? With the recent reissue of the Stones' Exile On Main Street, and the release of the Exile documentary, there's been a lot of talk about the album, the "new" tracks, the musicians...everything except the artwork. For me, the artwork has always been fascinating, and added hugely to my perception of it, and the Stones themselves, for a long time. In case anyone else is interested, I wanted to point the way to a few articles & links that discuss & display the art for this landmark album. After all, designer John Van Hamersveld used previously published work by legendary artists in their own right - photographers Diane Arbus and Robert Frank (the director of Cocksucker Blues). The images above & below are courtesy of Van Hamersveld's site. I definitely recommend a visit.
On a personal note, Godlis discusses his take on the album, Diane Arbus, Robert Frank, and the beginning of his own serious journey into photography: "With the Stones re-release of Exile on Main Street this week, I've found myself thinking about how closely tied in this album is with my own relationship to the medium of photography. In the summer of 1971, the Rolling Stones were down in the south of France, recording the basic tracks for Exile. That same summer - on July 26,1971 - Diane Arbus took her own life in her apartment at Westbeth in New York City. Within months of her tragic death - "late fall of 1971" - plans were already underway for a book and a retrospective show at the Museum of Modern Art. This according to Neil Selkirk, who personally made all the prints for the exhibition at Diane Arbus' own darkroom on 29 Charles Street in the West Village (His fascinating essay that is the centerpiece in the "Diane Arbus Revelations" catalog is must reading)." Continued here.
I got to see the Secret Public show by Linder Sterling & Jon Savage today. When I wrote about it a couple of days ago, I lamented the fact that I missed the opening, and now I really wished I had been there. If you're a fan of any of the following, the show is a must see: cut & paste art, xerox art, ephemera, punk rock, you get the picture.
The show focuses on the Secret Public zine published by Sterling & Savage (and "released" by New Hormones Records) in January of 1978, but also includes a good bit of another Savage publication, London's Outrage!, as well as early gig posters for Joy Division, and Buzzcocks/Magazine. There are also several amazingly austere black & white photos of London shot by Savage in the 70's. They are stark and cold, but beautiful. Comparing the London of the 70's to today, a long time New Yorker is struck by the similarities in the changes in the two cities. I had posted about these photos last summer, and they can be seen on Savage's blog in a nice little slideshow.
It's that time of year again...almost. Mark your record buying calendar for June 12-21 for the first of this year's twice annual Record Sale At the Archive of Contemporary Music. Here's the scoop:

As recently mentioned, last week the Stooges played a Ray Ban sponsored, invite only, gig at the Music Hall of Williamsburg in Brooklyn. Not surprisingly, my friend Randy was there on the scene, and snapped a load of photos to prove it.